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That being said, it remains a charming and deeply relatable film, thanks mostly to double-Oscar-winner Renée Zellweger, who injects a lovable charm into her portrayal of the almost perennially unlucky-in-love Bridget. ‘Bridget Jones, wanton sex goddess, with a very bad man between her thighs…’īased on Helen Fielding’s newspaper-column-turned-bestselling-book about a loveable but perpetually single thirtysomething living in London, Bridget Jones’s Diary is very much a product of its time (hopefully today, we wouldn’t dare consider Bridget overweight or the fact that she’s single in her thirties a problem). ? The 100 best romantic films of all-time Written by Dave Calhoun, Cath Clarke, Tom Huddleston, Kate Lloyd, Andy Kryza, Phil de Semlyen, Alim Kheraj & Matthew Singer Love contains multitudes, and so do romantic comedies, and we considered it all when putting together this list of the best romcoms of all time. Others are light and airy, or borderline fantastical. Others are dark and cynical, because, well, love often sucks. Some are sophisticated, drilling deep into the complexities of interpersonal relationships. Who hasn’t been in love, in one form or another? And honestly, what’s funnier than the things humans do while under love’s spell?īut the best romantic comedies don’t have to be straight-ahead farces to qualify – although, to be fair, many of them are. Frequently derided and dismissed as ‘chick flicks’, romcoms are, in truth, more broadly relatable than any other category of film.
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“Now that work is back full time, I’m trying to figure out how to have the balance and the boundaries and the self-care while I’m trying to be the king of the world.No movie genre is more misunderstood than romantic comedy. “You know, I’m a he/him but I might be a them/they in a couple of minutes.”Īs for his future more generally, he told Ray he’s caught up in a whirlwind of projects, from new music to his own production company.
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“I literally just said the other day, ‘Well, I don’t know how to do anything but be a cisgendered queen,’ ” said Porter to his laughing audience. He teased the audience by saying that while he’ll always identify with masculinity, he won’t rule out a dip into they/them.
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They’re challenging us to question the status quo that’s built on sinking sand.” “ are challenging us to be better human beings. “For the first 20 years of my career, I was trying to sit inside of a masculinity model placed on me from the outside so I could eat,” said Porter. When asked by an audience member whether he identifies as nonbinary, Porter marveled at how language has grown more expansive since his own youth - opening up conversations around gender identity that make him optimistic about the new generation. Gorman read her poem “Fugue,” about the ravages of the pandemic, publicly for the first time at the Los Angeles Times Festival of Books on Saturday. Watch poet Amanda Gorman’s first public performance since the inauguration
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Writing his memoir during the pandemic, Porter couldn’t help notice the parallels between current messaging on both physical and mental health - including state legislation targeting LGBTQ children - and the silence and inaction of the Reagan administration in the AIDS epidemic. “What I’m sick of is this conversation that exists in our society that if I’m a man who’s wearing a dress, I’m gonna come and molest your children. “I’m trying to be a walking piece of activism,” Porter said of his unique sense of fashion. Seated at the main stage on the USC campus - though occasionally leaping up to make a particularly emphatic point - the actor and fashion icon spoke with Times Metro reporter Justin Ray about his new memoir, “Unprotected,” which recounts his grief and trauma growing up as a young Black gay man during the AIDS crisis. “My humanity has been up for legislation every single f-ing day of my life and I’m done with it,” Billy Porter said to a crowd on Sunday at the L.A. Billy Porter spent the first half of his career being told his queerness was a career liability, but after four decades of waiting for his big break, the star of FX’s “ Pose” is no longer letting other people’s expectations define him.